Tag Archives: Aretha Franklin

5 Essential Films, Albums and Books for Black History Month

Image Courtesy Pixabay

It’s February, which means it’s officially the start of Black History Month. Yes, every month should be Black History Month because we should always be learning and educating ourselves about history. However, because emphasis on said history is during February, I feel it’s only right that I acknowledge it with a specific post.

There is, understandably, a plethora of resources and literature on various black history topics, which means there is no way to make a definitive list. However, I wanted to share the films, music, and books that I believe all tell a significant aspect of black history. The following are the five essential films, albums, and books I think everyone should watch, listen to and read this month.

Image Courtesy Unsplash

Films

  • The Color Purple – We all remember the catch-phrases and memorable moments. But at its core, The Color Purple is a celebration of the strength of black women and a tale of sisterhood – familial and other. Heartbreaking, heartwarming, and timeless, The Color Purple is a must-watch for everyone at least once in your lifetime.
  • Malcolm X – For many years and generations, Malcolm X stood as a complex and complicated figure of the civil rights movement. Some viewed him as angry, too militant, while others considered him righteous and misunderstood. The film Malcolm X, adapted from Alex Haley’s equally brilliant The Autobiography of Malcolm X, finds Spike Lee at his directorial best, creating a formidable, yet nuanced film made all the better with one of the finest acting performances by Denzel Washington.
  • Do the Right Thing – Another Spike Lee Joint, Do the Right Thing is particularly relevant right now in the wake of the Black Lives Matter protests that have swept the world. Set against the backdrop of a hot, sweltering Brooklyn summer day, the film tells the story of how one incident of racial injustice lights a match that helps bring to the forefront long-held racial tensions and animosities that had been simmering in the community. Not unlike the reaction to the murder of George Floyd.
  • Hidden Figures – The erasure of black and brown people from the history books has been a long-standing point of discussion. And it is just one of the reasons this film is a must-see. The simple truth is not many knew the names Katherine Johnson, Dorothy Vaughn, and Mary Jackson concerning the first moon landing. And were it not for the work of Margot Lee Shetterly, the source material for the film, we may still not know about their legacy.
  • BlacKKKlansman – A black police officer, in the 1970s, with the help of his Jewish partner, infiltrates the Ku Klux Klan. This probably sounds like the setup for a Dave Chappelle skit. Instead, it’s the very true story of Officer Ron Stallworth, as told in the film BlacKKlansman. Depicted with a biting wit and absurd humor, the film reminds us of the very frightening and disturbing history of the KKK and white supremacy in general, but more importantly, how the seeds that were previously sewn continues to exist today.
Image Courtesy Pexels

Albums

  • What’s Going On? by Marvin Gaye – Inspired by various acts of civil unrest at the time, Marvin Gaye’s What’s Going On stands the test of time as one the seminal social justice albums of the late 60’s – early 70s era. The album explored a range of social topics that sadly are all too prevalent today – police brutality, racial injustice, poverty and economic disparity, and more. What’s Going On is an excellent album for understanding what was happening across the U.S. during that era and what is, in many ways, still happening.
  • Modern Sounds in Country and Western Music by Ray Charles – A black performer, in the 1960s, reworks classic songs written and previously performed by white artists and makes it his own. Flip the script on this – white artist performs songs written by black artists and it would have been just another day in the recording industry at that time. The former was unheard of. But it’s exactly what Ray Charles did. He made the sounds of country and western music his own and did it brilliantly while earning immense commercial and critical success.
  • Legend by Bob Marley and The Wailers – The compilation of Bob Marley’s, along with The Wailers, greatest hits, Legend is truly a summation of the black man and woman’s story. Everything from slavery, colonialism, identity, self-love, national pride, and more. It is essential listening for everyone.
  • The Miseducation of Lauryn Hill by Lauryn Hill – Was it a fluke, a flash in the pan, a case of shining too bright too fast? Whatever the case may be for why we never again received such a masterpiece from her, we are eternally grateful for the one she did create. Mixing R&B, Soul, Funk, Reggae, and fierce Rap flow, Hill delivered a powerful odyssey of the black woman’s story. Love, hurt, sex, motherhood, and sexuality all blended into one against a backdrop of finding one’s voice.
  • I Never Loved a Man the Way I Love You by Aretha Franklin – The album that launched Ms. Franklin’s career into the stratosphere. Bold, brash, confident, and passionate, her voice soared as she sang about love, respect, social change, and more. The ultimate power of I Never Loved a Man… is the strength and confidence Aretha exuded for a time when women of color, in particular, were meant to or made to feel anything but small, weaker, and cowed.
Image Courtesy Unsplash

Books

  1. The Fire Next Time by James Baldwin – Written in the format of two letters, The Fire Next Time is an intense exploration of race and racial identity, particularly for a black man in America. The first letter is Baldwin writing to his nephew on the 100th anniversary of Emancipation and the second, is an examination of race and religion via the intersection of the black Christian church and the growing Islamic movement of the 60s. Both are told with stark and unapologetic honesty and grit that is a hallmark of much of Baldwin’s work.
  • Roots: The Saga of an American Family by Alex Haley – We’ve probably all seen at least part of the epic 1977 television miniseries adaptation of the film. And it’s a worthy adaptation. However, you know what say, the book is usually better than the film, and it’s definitely worth giving this one a read. The story of Kunta Kinte, Roots help put a personal face to the history of millions of African American descendants of slavery.
  • The New Jim Crow by Michelle Alexander – There’s an expression that’s used by many black people – “slavery’s not over, it’s just now called the prison system”. And this is the impetus of Alexander’s The New Jim Crow that meticulously and brilliantly traces the intersection of slavery, the Jim Crow era, mass incarceration of black men, and racism. This is an essential read for anyone trying to understand the core of the police reform movement, which is integral to the Black Lives Matter movement.
  • The Black Woman, An Anthology by Toni Cade Bambara – Drawing on a collective of strong female voices, some of whom became groundbreaking successes in their own right, e.g. Alice Walker, The Black Woman is a collection of poems, essays, and short stories that explores a wide array of themes that affect black women in unique ways. Everything from race and body image, sex, politics, economic disparity, and more.
  • A Promised Land by Barack Obama – Whether or not you are a fan of his policies or believe he could have and should have done more during his 8 years as the leader of the free world, what is undisputed, is that the former President holds a distinction no one else does. As the first black, and person of color in general, to hold the office of the President of the United States of America, Barack Obama’s journey is unique to that of any other former president. On one hand, he was theoretically at one point the most powerful man in the country and perhaps the world, and yet, on the other hand, he was still a black man in America, occupying a space that had thus far only been reserved for white people. And that alone makes his a fascinating story and one worth telling.

2019 Grammy Awards Best & Worst

the-grammys

So I didn’t exactly love this year’s Grammy Awards but I didn’t completely hate it. If I’m being honest, my focus for much of Sunday night was on the BAFTA Awards and whether or not Rami Malek would win Lead Actor, thus possibly solidifying his path to Oscar glory (go Rami!!!).

That said, I did watch and there were some things I enjoyed and others I could have lived without. So without further ado, here are my best and worst moments of this year’s Grammy Awards.

BEST

  1. Girl Power – The ladies sure showed up and showed out this year. Guess they really “stepped it up this year”, to quote Dua Lipa’s excellent shade at President of the Recording Academy, Neil Portnow, for his very insulting comment last year that the female artists needed to “step up more”. It began with a powerful appearance from former First Lady Michelle Obama, flanked by the night’s host Alicia Keys, Lady Gaga, Jada Pinkett Smith and Jennifer Lopez, all discussing the power of music. And the girl power theme continued throughout the night with women dominating in most of the key categories, culminating of course in Kacey Musgraves winning the night’s top honor – Album of the Year.

 

  1. Rap/Hip Hop Finally Gets Respect in SOTY/ROTY – The biggest invader of the “all women party” was Childish Gambino, who won two of the night’s biggest categories – Record of the Year and Song of the Year and making history in the process, as the first Hip Hop song to ever win in those categories. And it was way overdue. Doesn’t make up for all the ones that should have won – Lose Yourself, Love the Way You Lie, Alright, etc. all say hello. But it was nice to see the genre finally get its due in these categories. It was also a very well-deserved win for Childish Gambino.

 

  1. Dolly Parton Tribute – It wasn’t always perfect – Katy Perry way over sang at points, perhaps due to the excitement of the moment and Queen Dolly struggled a few times in remembering her lyrics (give her a break, she is 73 years old) – but the whole performance was still a lot of freaking fun. Say what you will about Dolly with her fake boobs, big hair and gaudy outfits – but she is unquestionably one of the greatest singer/songwriters of all time. And this was a more than fitting and deserving tribute.

 

  1. Janelle Monae Showed Out – Full disclosure, I have never been the biggest Janelle Monae fan. I respect her as an artist but her sound and vibe just really isn’t my thing. That said, her performance of Make Me Feel this past Sunday had me enthralled from beginning to end. Talk about giving it your all – Monae sang, played guitar, moonwalked, shimmied and just went balls to the wall on this performance. I was impressed.

 

  1. Cardi B Cements Her Music Star Status – Like Monae, I really can’t say I’ve been on the Cardi B train. I applaud her hustle and how far she’s come in the last two years, and I do think she delivered a very strong debut album, whatever one’s opinion of her not writing any of it. Still, she’s mostly been in the “I can take it or leave it” category for me. But I can honestly say that I completely enjoyed her performance on Sunday night. It was a strong mixture of sexy, raw power and confidence. It also solidified my feelings about her not being made the opening act. More on that in a moment.

 

WORST

  1. J-Lo’s “Tribute” to Motown – Oh dear. Listen, I like J-Lo. No, she’s not the greatest singer, her acting is average at best and I’d say her dancing is probably her most impressive talent. But what she does, she does well – usually. Fact is, many were already predisposed to hate this once the performance was announced. Jennifer Lopez being chosen to do a Motown Tribute just sounded like something out of the Twilight Zone. But I was willing to give it a chance. My thought was, “she might surprise us”. And in the interest of fairness, the performance started off okay. But then for whatever reason, it veered off into a salsa dancing, booty shaking number that resembled all of J-Lo’s other hundred performances and there stopped being anything Motown about it. Since I mentioned her dancing abilities, why not throw in a Jackson 5 medley dance breakdown? Just a very odd number that naturally didn’t sit very well with the Twitter-verse.

 

  1. Camilla Cabello Opens the Show – You know how they say the devil works hard but someone else works even harder? I’m thinking that person is Camilla Cabello’s manager. It was bad enough when the VMA’s tried to convince me that Cabello’s basic as all get out video for Havana was the Best Video of the year over Childish Gambino’s This Is America. But I truly need someone to explain how and why, someone with only two nominations, of which she won neither, was chosen to open the show over an artist who was one of the biggest names in music the past year and had five nominations, only behind Kendrick Lamar and Drake. Listen, I love me some Ricky Martin as much as the next person but I would have been just fine to see him mid-way through the show.

 

  1. The Queen Deserved Much Better – The Queen of Soul, aka Aretha Franklin that is. Here are some facts about Aretha Franklin’s career – the first woman to be inducted into the Rock and Roll Hall of Fame, Presidential Medal of Freedom recipient, Kennedy Center Honors recipient, winner of 18 Grammy Awards and career that spanned almost four decades. And yet the sum total of her posthumous Grammy tribute was a thrown together appearance in the In Memoriam segment and a trimmed down performance of Natural Woman. Like I said, the Queen deserved better.

 

  1. Drake’s Presence – Admittedly I’m probably in the minority on this but I for one thought it was hilarious when producers cut off Drake’s speech. Yes, the message behind his comments was a positive one and he’s right, at the end of the day, when an artist has fans singing along to their music and more importantly buying their music; that really is truly what counts. Thing is, it was one those moments where I thought “great message, wish it’d come from someone else”. Again, I admit this may be an unpopular opinion but I’ve always found Drake to be something of a poseur. Case in point, he makes this grand show of saying how he would absolutely not be submitting his work for Grammy consideration and yet he ends up with seven nominations. Someone had to submit it for it to be nominated and yes, I am aware that could have been his producers and manager, etc. But let’s not pretend he didn’t know they would. He just wanted to seem so above it all. Then he states he won’t perform but sure makes certain to show up and accept the award that he then acts like he’s uninterested in. Whatever… In the words of the mumbling, can’t enunciate pop singer – thank you, next.

 

  1. Show Length – How in the hell did this show run almost four hours? Especially since they were just cutting people off right in the middle of their speeches. Many constantly go on about the Oscars and its length but I think the Grammys have slowly come up and taken over their “longest damn award show” crown. Something needs to be done. Cut down on performances, eliminate a host (it’s not like they do much) and all the other filler. Because it makes no sense that an Awards show that actually only hands out maybe eight awards during the live telecast, runs for damn near four hours.