Tag Archives: Ma Rainey's Black Bottom

2021 Academy Awards Recap

Another Awards Season is officially in the bag, with the conclusion of last Sunday’s Academy Awards. For better or worse, a ceremony took place and it was well…it was something. There were highs (score one for more diversity) and there were some major lows (we all know what I’m referring to).

When it was all said and done, voters spread the love to several movies though surprisingly, none for The Trial of the Chicago 7, which started the season a heavy award favorite.

Typically I do these recaps in a Best and Worst format but honestly, the struggle was very real trying to find five things I genuinely loved about this year’s ceremony. So I’ve decided to do things a little differently and try a highlights-slash-stream of consciousness approach.

I’m just going to list everything that stood out from the ceremony, good or bad, in no particular order.

  • The Upset Heard Round the World – Naturally the biggest and most discussed moment from this year’s ceremony was Anthony Hopkins’ surprising win for Best Actor over the late Chadwick Boseman. Everyone predicted and expected that this would be a bittersweet celebration of Boseman. So much so that for maybe the first time in Oscars history, the order was flipped in the presentations of Best Picture and Best Actor and Best Actress. The show’s producers obviously expected Chadwick’s winning moment to cap off the night. But alas, it was not to be. I understand many people’s outrage. However, by all accounts, Anthony Hopkins gave a stunning performance in The Father. And while Chadwick was more than deserving of the win, Hopkins wasn’t undeserving either, if that makes sense, which is why awards are so subjective. At the end of the day, more than anything, what I felt was sadness. Sadness that this brilliant actor’s life and career was cut way too short, sadness that we’ll never get another masterful performance from him, and sadness that he doesn’t have another chance to become an Academy Award-winning actor.
  • Applause for Diversity – While Chadwick’s loss was even more disappointing, as it meant that there are still only two black actors to have ever won the Oscar for Leading Actor, the night did have many moments of diversity worth celebrating. Chloe Zhao’s win for Best Director not only meant a second woman winning in the category, but it was also the first for a woman of color. Yuh-jung Youn’s win for Best Supporting Actress made her one of the oldest women to win, as well as the first Korean. And Mia Neal and Jamika Wilson’s win for Best Makeup and Hairstyling for Ma Rainey’s Black Bottom made them the first black women to ever win in this category.
  • Where Were the Clips – Until the shock of the final award of the night, I feel fairly confident in saying this is what most viewers were screaming at their screens. I am genuinely fascinated to hear the producers’ reasoning for choosing to forego 90 percent of the clips from the nominees in favor of a lot of talking. Did I mention there was A LOT of talking? The Academy Awards are ostensibly a celebration of films and the art of filmmaking and yet we saw little to none of said films and filmmaking process throughout the night.
  • Red Carpet Fashion Was Back – For better (hello Carey Mulligan) or worse (looking at you Frances McDormand), the award show red carpet was back in full effect. There were some wonderful highlights, such as the aforementioned Mulligan, Regina King, and Margot Robbie, some who were okay but maybe not that great, like Zendaya, Maria Bakalova, and Amanda Seyfried, and some “no, really”, such as Laura Dern, Emerald Fennell and Andra Day.
  • Musical Performances – This counts as both good and bad. Good in that the performances were all stellar, despite none of the songs being a smash hit like Shallow was a few years ago. The bad comes from the fact that once again, for whatever inexplicable reason, the producers decided to air it as part of the pre-show, meaning many viewers likely didn’t even see them. Also, those performances would have been a great way to break up the monotony of all the talking. Again, did I mention there was a lot of talking?
  • Venue – Due to social distancing, this year’s festivities were mostly moved away from the Dolby Theatre in Hollywood to Union Station in Los Angeles. There were some nominees present at the Dolby Theatre, but most of the night’s action took place at Union Station and I have to say, I quite liked it. Similar to this year’s Grammy Awards, the setup helped to create an atmosphere that felt both casual and intimate.
  • Where’s the Orchestra When You Need It – So I have a love/hate relationship with award shows playing the winners off. Sometimes, when the individual just seems to ramble nonstop, I get it. Other times, however, when it feels like someone has barely had a chance to thank anyone and the music’s already going, I find it annoying. This year’s Oscar ceremony though made me gain a newfound appreciation for the ‘ol playing off the winners. I assume owing to the different venue, there was no orchestra available or maybe the producers just decided to forego a time limit on speeches. Whatever the reason, my goodness, we needed that time limit. Because so many of these speeches just seemed like they would never end. And goodness knows there was already so much other talking going on.
  • In Memoriam – In keeping with the rather dull, clip-less, music-less feel of the whole show, the In Memoriam segment turned out to be a disappointing dud. With weirdly peppy music playing in the background, the segment was nothing more than a collection of quick glimpses at the celebrities who passed in the last year. Once again, there were no clips shown of these people’s storied careers and thus, no showcase of their contribution to film. This was particularly baffling when considering some of the legends who passed away, like Sean Connery for example. These actors and filmmakers deserved more.

While it certainly wasn’t the ceremony I hoped for, I am glad we were able to have an Award Season at all and that some amazing films were still able to be released and seen. Like many, I hope that come this time next year, normalcy or something close to it will have returned and we could have an Oscar ceremony again with all the bells and whistles that typically accompany Hollywood’s biggest night.

2021 Academy Awards Predictions

We may not be clear on exactly how it’s going to happen, but come this Sunday night, the 2021 Academy Awards will happen. Like any other year, some categories appear to be a complete lock, while others are a giant ball of confusion.

No matter what happens, I think we can all agree that this will likely be an Oscar night like nothing we’ve ever seen before. And so now it’s time for me to read the tea leaves and make some predictions on who I think will walk away with the little golden man come Sunday night.

Best Picture

  • The Father
  • Judas and the Black  Messiah
  • Mank
  • Minari
  • Nomadland
  • Promising Young Woman
  • Sound of Metal
  • The Trial of the Chicago 7

Will Win – At the start of Award Season, the consensus was that Best Picture was going to be a battle between Nomadland and The Trial of the Chicago 7. And while the latter won every ensemble award it was expected to (because it is the best ensemble film of the year), the past month and a half have seen Nomadland surge ahead to become the heavy favorite in this category.

Best Actor in a Leading Role

  • Riz Ahmed – Sound of Metal
  • Chadwick Boseman – Ma Rainey’s Black Bottom
  • Anthony Hopkins – The Father
  • Gary Oldman – Mank
  • Steven Yeun – Minari

Will Win – It’s going to be a very poignant and bittersweet moment when Chadwick Boseman posthumously becomes an Academy Award-winning actor. But it will also be a very deserving moment.

Best Actress in a Leading Role

  • Viola Davis – Ma Rainey’s Black Bottom
  • Andra Day – The United States v. Billie Holiday
  • Vanessa Kirby – Pieces of a Woman
  • Frances McDormand – Nomadland
  • Carey Mulligan – Promising Young Woman

Will Win – Oh what a tangled web we’ve weaved. I cannot off the top of my head think of another time when the Best Actress category was this all over the place. Heading into Sunday night’s ceremony, a different woman has won at every precursor ceremony – Andra Day won the Globe, Carey Mulligan won the Critics’ Choice, Viola Davis won the SAG Award and Frances McDormand won the BAFTA Award. So which woman takes the big one? Well… I don’t know. What I will say is that I started this Award Season saying this category was a fight between McDormand and Mulligan and I stand by that. The safe bet here would be to pick Frances McDormand. But dammit, a nagging little voice keeps telling me to not count Carey Mulligan out. I’m just going to call this one a “wait and see”.

Best Actor in a Supporting Role

  • Sacha Baron Cohen – The Trial of the Chicago 7
  • Daniel Kaluuya – Judas and the Black Messiah
  • Leslie Odom Jr. – One Night in Miami
  • Paul Raci – Sound of Metal
  • Lakeith Stanfield – Judas and the Black Messiah

Will Win – There has been some talk about the possibility of Daniel Kaluuya and Lakeith Stanfield splitting votes, thereby paving the way for someone else to win. I don’t buy it. Especially since we’ve had two actors from the same film compete in the same category and one win – see Sam Rockwell vs. Woody Harrelson for Two Billboards Outside Ebbing, Missouri, with the former winning. Daniel Kaluuya has swept this season with his fiery and passionate portrayal of Black Panther leader Fred Hampton. Look for that streak to continue on Sunday.

Best Actress in a Supporting Role

  • Maria Bakalova – Borat Subsequent Moviefilm
  • Glenn Close – Hillbilly Elegy
  • Olivia Colman – The Father
  • Amanda Seyfried – Mank
  • Yuh-jung Youn – Minari

Will Win – As awesome as it would be to have Maria Bakalova win an Oscar for a film that included that um, interesting Rudy Guiliani scene, it’s all about Yuh-jung Youn for her quietly powerful portrayal of Soonja in Minari. Look for history to be made at this year’s ceremony when Youn becomes the first Korean actress to win an Oscar.

Best Director

  • Thomas Vinterberg (Another Round)
  • David Fincher (Mank)
  • Lee Isaac Chung (Minari)
  • Chloe Zhao (Nomadland)
  • Emerald Fennell (Promising Young Woman)

Will Win – Score one for diversity. Not only will there FINALLY be another female winner in this category (oh if you’re keeping score, that will be a grand total count of a whopping 2), it will also be a woman of color. Because this category has been all but sewn up by Chloe Zhao since the start of Award Season.

Best International Film

  • Another Round
  • Better Days
  • Collective
  • The Man Who Sold His Skin
  • Quo Vadis, Aida?

Will Win – It’s hard to bet against Another Round, as not only did the film’s director pull off a surprising Best Director nomination, it has fared very well at most of the precursor shows.

Best Original Screenplay

  • Judas and the Black Messiah
  • Minari
  • Promising Young Woman
  • Sound of Metal
  • The Trial of the Chicago 7

Will Win – When Award Season started, many would have told you that this category was a slam dunk for Aaron Sorkin. And it certainly looked that way in the early days. But somewhere along the way, momentum swung in a big way towards Emerald Fennell for her #MeToo, revenge fantasy script of Promising Young Woman. And now Fennell appears the heavy favorite to take the prize. But don’t completely count out Sorkin. Depending on how much love Academy voters have for The Trial of the Chicago 7, we could see an upset.

Best Adapted Screenplay

  • Borat Subsequent Moviefilm
  • The Father
  • Nomadland
  • One Night In Miami
  • The White Tiger

Will Win – Depending on how big a night Nomadland has, it could pull off a win here. But I don’t see it. I think The Father has picked up some significant steam and its BAFTA win in the category may turn out to be a little more prophetic than some think.

Best Editing

  • The Father
  • Nomadland
  • Promising Young Woman
  • Sound of Metal
  • The Trial of the Chicago 7

Will Win – Late season buzz in this category has shifted significantly towards Sound of Metal, especially after it picked up the win at the BAFTA Awards. However, I don’t think The Trial of the Chicago 7’s Eddy win should be underestimated. I went against the buzz last year in this category (and was right) and I’m going to do so again this year. I think this is going to be a win for The Trial of the Chicago 7.

Best Animated Feature Film

  • Onward
  • Over the Moon
  • A Shaun the Sheep Movie: Farmageddon
  • Soul
  • Wolfwalkers

Will Win – It’s all about Soul… (And yes that’s a deliberate Billy Joel reference). Onward has gotten some strong late-season buzz, so there is potential for an upset. But I think this one is going to go the way it has all season long.

Best Original Song

  • Fight for You (Judas and the Black Messiah)
  • Hear My Voice (The Trial of the Chicago 7)
  • Husavik (Eurovision Song Contest)
  • Io Si (Seen) (The Life Ahead)
  • Speak Now (One Night in Miami)

Will Win – Could it be? Will Diane Warren finally have her Susan Lucci winning moment after so many years of always the bridesmaid and never the bride? Yeah, not so fast. The positive for Warren is that for the first time in years, there’s no clear favorite in the category. And Io Si (Seen) did win the Globe. However, Leslie Odom Jr. then won the Critics’ Choice for Speak Now. And the momentum right now lays heavily towards the latter. So my prediction, it’s going to be a win for double nominee Odom Jr. Maybe next year Diane (now watch her win just so I’m left with egg on my face)?

2021 Screen Actors Guild Awards (SAG) Predictions

Courtesy Google Images

The virtual 2021 Screen Actors Guild Awards (SAG) are set to take place this Sunday. Typically one of the shortest of all the major Awards ceremonies, as it only honors acting categories, this year’s ceremony is expected to be even shorter, with some of the categories pre-taped.

Shortened ceremony or not, the SAGs remain one of the most important predictors of what is likely to happen at the Academy Awards (at least in the acting categories). So with that said, here are my predictions for what may occur this Sunday night. This year I’m going back to predicting who I think will win and who I think could win.

FILM

Best Motion Picture Ensemble

  • Da 5 Bloods
  • Ma Rainey’s Black Bottom
  • Minari
  • One Night in Miami
  • The Trial of the Chicago 7

Will Win – I am about 80 percent certain that Nomadland is going to win the Academy Award for Best Picture (and its recent Producer’s Guild Award (PGA) win certainly supports that prediction). So the fact that it is not nominated here (though not surprising as Frances McDormand almost single-handedly carries the film) opens up the category perfectly for a The Trial of the Chicago 7 win. And it would be a very deserving win The Trial of the Chicago 7 is the definition of a strong ensemble. From Michael Keaton’s mesmerizing performance in only 10 minutes of screen-time to Yahya Abdul-Mateen II’s enigmatic performance as Bobby Seales and Frank Langella’s perfectly odious performance as Judge Hoffman, everyone delivered.

Could Win – There is a very strong sentiment among many critics that although Nomadland is likely to win the Academy Award, Minari is the Best Picture of the year. And even the much-lauded Parasite last year wasn’t able to pull off individual acting nominations for any of the cast. Minari has two. It’s very possible that SAG voters, much like Parasite last year and Black Panther the year before, may view this category as a way to reward a group of actors who were part of a very important and impactful film.

Best Male Actor in a Leading Role

  • Riz Ahmed – Sound of Metal
  • Chadwick Boseman – Ma Rainey’s Black Bottom
  • Anthony Hopkins – The Father
  • Gary Oldman – Mank
  • Steven Yeun – Minari

Will Win – Chadwick Boseman.

Could Win – Chadwick Boseman. Yeah, this one is a done deal.  While this year’s acting categories haven’t been as predictable as last year’s, with the same four actors sweeping all the major Awards Shows, this is the one category that’s a lock.

Best Actress in a Leading Role

  • Amy Adams – Hillbilly Elegy
  • Viola Davis – Ma Rainey’s Black Bottom
  • Vanessa Kirby – Pieces of a Woman
  • Frances McDormand – Nomadland
  • Carey Mulligan – Promising Young Woman

Will Win – It’s surprising to me how much of a clusterfuck this category has turned out to be. A few months ago, many would have said this was solidly between Mulligan and McDormand (and I still believe it is). The Golden Globes, as the first major awards of the year, were supposed to clarify which one would likely win. Except the Globes gave the win to Andra Day, who’s not even nominated here. Then Mulligan won the Critics’ Choice only to somehow not even get nominated for a BAFTA (McDormand is). So like I said – clusterfuck. That said, I’m going to stick with the gut on this one, and my gut says this is still Carey Mulligan’s to lose.

Could Win – Well Ms. McDormand of course. It is the foolish man who would ever count Frances McDormand out of any acting category and after all, Nomadland is looking on a path to sweep Director and Picture. A Best Actress win would not be surprising.

Best Supporting Actor

  • Sacha Baron Cohen – The Trial of the Chicago 7
  • Chadwick Boseman – Da 5 Bloods
  • Daniel Kaluuya – Judas and the Black Messiah
  • Jared Leto – The Little Things
  • Leslie Odom Jr. – One Night in Miami

Will Win – Daniel Kaluuya looks to be on his way to a deserving award season sweep and I see that continuing this Sunday night. Not only is he deserving of the win but it’s the kind of performance voters love, particularly fellow actors.

Could Win – One can say that it is a bit telling that SAG voters chose to single out Boseman for an individual nomination from the entire cast of Da 5 Bloods. And it would certainly be a powerful way to honor his memory, with a double win. So while I still strongly believe Kaluuya will win, an upset by Chadwick Boseman would not shock me.

Best Supporting Actress

  • Maria Bakalova – Borat Subsequent Moviefilm
  • Glenn Close – Hillbilly Elegy
  • Olivia Colman – The Father
  • Yuh-Jung Youn – Minari
  • Helena Zengel – News of the World

Will Win – The biggest clusterfuck of all the acting categories. This one is a doozy. So like the Lead Actress category, the Globes were no help in clarifying things, awarding Jodie Foster the win, who of course, is not nominated. BAFTA was even more useless, with only one of the nominees showing up in their list. And that nominee – Maria Bakalova, who also just happens to have won the Critics’ Choice for Best Supporting Actress. Now just to be clear, these are not the sole reasons why I’m picking her to win here. It’s more so that it’s what my gut is telling me will happen. So Bakalova it is.

Could Win – So I’m seeing a lot of critics predicting a possible win for Glenn Close. It would certainly be interesting, as she’s currently nominated for a Razzie Award for the same performance. I don’t see it. If Bakalova doesn’t win, I have a very strong feeling that voters are going to lean towards Olivia Colman.

TELEVISION

Outstanding Performance by an Ensemble in a Drama Series

  • Better Call Saul
  • Bridgerton
  • The Crown
  • Lovecraft Country
  • Ozark

Will Win – It’s been all about The Crown this Awards Season and look for that to continue.

Could Win – Probably the only other drama that came close to the buzz of this past season of The Crown was Shonda Rimes’ latest soapy offering, Bridgerton. The show wasn’t perfect by any means but it had many interesting elements that, despite the soapiness, got a lot of people talking about some complex social issues. I could see SAG voters being swayed by the show’s impact and rewarding the cast accordingly.

Outstanding Performance by an Ensemble in a Comedy Series

  • Dead to Me
  • The Flight Attendant
  • The Great
  • Schitt’s Creek
  • Ted Lasso

Will Win – It’s probably a safe bet to go with the obvious and predict that Schitt’s Creek will complete its awards show sweep. Not only has the show been winning everything, but it’s also the finale season, which means the last chance for SAG voters to reward the actors.

Could Win – Ted Lasso is riding a strong high of critical praise and its lead actor, Jason Sudeikis, is the heavy favorite to win Lead Actor in a Comedy Series. So it’s certainly not out of the realm of possibility for SAG voters to vote to reward the entire cast.

Outstanding Performance by a Female Actor in a Drama Series

  • Gillian Anderson – The Crown
  • Emma Corrin – The Crown
  • Olivia Colman – The Crown
  • Julia Garner – Ozark
  • Laura Linney – Ozark

Will Win – It’s the battle of The Crown versus Ozark. And I predict The Crown will come out victorious. But which one will it be? So far, Emma Corrin has been cleaning up, as Gillian Anderson’s been safely tucked away in the Supporting category. However, come Sunday night, I think Gillian Anderson’s going to reign supreme. Wonderfully tragic as Corrin’s performance of the late Princess Diana was, Anderson transformed into Margaret Thatcher, complete with prosthetics. It’s the type of performance the voters love.

Could Win – Well, Emma Corrin. Because like I said, this is all about The Crown and particularly, Corrin vs. Anderson. So look to Corrin to possibly continue her winning streak.

Outstanding Performance by a Male Actor in a Drama Series

  • Jason Bateman – Ozark
  • Sterling K. Brown – This Is Us
  • Josh O’Connor – The Crown
  • Bob Odenkirk – Better Call Saul
  • Rege-Jean Page – Bridgerton

Will Win – Josh O’Connor managed to make an entire internet of Crown watchers loathe him or at least loathe Prince Charles. That’s got to count for something. But in all seriousness, O’Connor was mesmerizing in this season of The Crown, holding his own against a stellar cast of female performers.

Could Win – SAG voters can be a bit erratic when it comes to the television categories, so any one of these men winning wouldn’t shock me. But if I had to make one guess as to the true potential spoiler to O’Connor, it’s likely Jason Bateman.

Outstanding Performance by a Female Actor in a Comedy Series

  • Christina Applegate – Dead to Me
  • Linda Cardellini – Dead to Me
  • Kaley Cuoco – The Flight Attendant
  • Annie Murphy – Schitt’s Creek
  • Catherine O’Hara – Schitt’s Creek

Will Win – Catherine O’Hara for the win. I feel like this is one of the many slam dunk categories of the night.

Could Win – A little voice in my head is saying not to sleep on Christina Applegate. I believe that if anyone has a chance to upset O’Hara in this category, it’s Christina Applegate.

Outstanding Performance by a Male Actor in a Comedy Series

  • Nicholas Hoult – The Great
  • Dan Levy – Schitt’s Creek
  • Eugene Levy – Schitt’s Creek
  • Jason Sudeikis – Ted Lasso
  • Ramy Youssef – Ramy

Will Win – It’s all about Jason Sudeikis right now in this category and look to that streak to continue.

Could Win – Depending on how much SAG voters are feeling the Schitt’s Creek love, Dan Levy could just pull out the win. However, I feel like the voters will save their appreciation for the entire cast with the Ensemble category.

Outstanding Performance by a Female Actor in a Television Movie or Miniseries

  • Cate Blanchet – Mrs. America
  • Michaela Cole – I May Destroy You
  • Nicole Kidman – The Undoing
  • Anya Taylor-Joy – The Queen’s Gambit
  • Kerry Washington – Little Fires Everywhere

Will Win – Anya Taylor-Joy has been a force to be reckoned with thus far in this category. But I can’t shake this feeling that SAG voters may swing in a completely different direction and award the win to Michaela Cole for her wildly acclaimed performance in I May Destroy You. Or maybe I’m just trying to be contrary, lol.

Could Win – Well Anya Taylor-Joy of course who most will say is the sure bet in this category.

And there you have it, my predictions for the 2021 Screen Actors Guild Awards.